Wednesday, January 31, 2018

Writing Community: 3 Critical Reasons Why Writers Need Community

Over the past week, an army of committed authors sat down to write at least 1,000 words, each and every day.

Writing Community: 3 Critical Reasons Why Writers Need Community

It’s been difficult. Some didn’t quite reach 1,000 each day. Some found that life didn’t respect their commitment at all.

For others, it was a success. They met the 1K benchmark, and some even tacked on thousands more, sharing their success in a Facebook group just for participants.

No matter how it went, everyone has one thing in common: They now have words on the page that weren’t there a week ago.

Yet few of those words are probably ready for readers. Most drafting, especially when done in haste, is sloppy or riddled with errors and inconsistencies.

Because it’s not “done,” we tend to make a HUGE mistake after a massive writing event, like the 7 Day Creative Writing Challenge or NaNoWriMo.

And this renders the whole process practically useless, unless we take an essential next step.

Don’t Put It Down

The worst thing any of us can do now is put our writing down for a few days.

Our old habits will return: We will let the busyness of life dictate when we “can” write.

Yet somehow, we found the time and energy to write for seven straight days! Why does that suddenly disappear when the challenge ends?

The truth is that our behavior changes when certain factors are at work, and the leaders behind the 7 Day Creative Writing Challenge were careful to implement them.

Yet when the challenge ends, those motivating factors disappear. We’re left to our own devices again, and our own devices are frequently distracted by chores, Netflix, and just about anything else.

We also tend to “wait” for inspiration, as if inspiration is a phone call from an old friend. Inspiration isn’t “out there” — it’s “in here,” in our hearts and minds!

And the 7 Day Creative Writing Challenge introduced several factors that inspired us to write, and to write again the next day. We probably didn’t even notice how they changed our behavior.

So if you want to see results, something needs to happen after the challenge. That way your new writing habit doesn’t fade away into the mist of life.

You need something from the challenge that won’t end when the challenge ends.

You need a community.

3 Essential Ways a Writing Community Inspires

When Joe Bunting launched the 7 Day Creative Writing Challenge, he did something that few of us probably noticed as significant: He invited everyone to join a community.

Specifically, he invited us to a Facebook group, due to its wide reach and ability to host discussions. He sent daily emails with hyperlinks that allowed us to complete surveys with our word counts.

He was with us. More than 1,175 other writers were with us. We were in a community.

Community is essential if we want to grow in our writing.

They provide three things that we cannot possibly get enough of on our own, the three things that will keep our writing habit strong for months and years to come.

1. Deadlines

Nothing motivates like a deadline.

If my writing goal is “to finish,” I can spend my lifetime dawdling along toward this goal.

But if my writing goal is “to finish by December 31, 2018,” then the clock is ticking! I have to plan ahead and execute to meet this deadline.

Deadlines provide concrete definitions of success and failure. Any goal without a deadline is merely a vague hope, and we can’t simply hope, however vaguely, that our writing will complete itself.

2. Prompts and Inspiration

Other writers tell stories that we can never imagine.

They also tell stories in ways and voices that aren’t native to us and our own style.

By listening to other storytellers read their work, and describe their process, we gain the benefit of an artist’s perspective that we could not possibly gain on our own.

And we gain insight into the craft of writing, too, when our community involves critiquing one another’s work.  By reading the work, we can think of what we’d do differently, and by composing thoughtful criticism, we grow in our ability to serve other writers and ourselves with productive critique.

3. Encouragement

Making art is a lonely experience.

The vision is yours alone. The talent is yours. The creation process is often tedious, fruitless, and requires sacrifice.

But in a community, we know that we are not alone, nor do we have to be lonely. We can walk alongside other suffering soldiers. We can share our passion for an idea, or a character, or a social justice issue, and bring it to life with near-immediate feedback coming our way.

Healthy writing communities get authors going again when their art, or their personal lives, are exhausted and burnt out. I can’t tell you how many times the members of Becoming Writer, the amazing writing community here at The Write Practice, have shared details of their own struggles, and then were greeted with incredible compassion and love by their fellow storytellers.

We need each other. We need encouragement and kindness as we struggle against the forces of unkindness in this world, and the worlds we imagine.

We need community like we need cold, refreshing water on a hot, summer day.

Join a Community

There are many ways to join a writing community. MeetUp is a fantastic resource to meet like-minded individuals and writers in your area.

But when it comes to online writing community, there is nothing like Becoming Writer.

Every week in Becoming Writer, we post new material. Every week, we leave at least three critiques on other writers’ work.

And every member is taught how to use a critique method that is both helpful AND encouraging.

Becoming Writer isn’t strictly for posting our creative work, either. Members talk in a forum called “The CafĂ©” about their favorite books, writing contests, and clever tricks with grammar. They brag of their successes in the brand new “Pub,” a place to recruit beta readers, get help with query letters, and ask for Amazon reviews.

Becoming Writer is my writing community, and I hope it becomes yours. Learn more about this amazing community here.

No matter where you turn for writing community, turn somewhere. Don’t let your hard-earned words sit on the page, unshared and unloved. You deserve the blessing of creative comradery.

You are a writer.

You are not alone.

And there are many others like you, eager to join your side.

What do you plan to do to maintain your momentum from the 7 Day Creative Writing Challenge? Let us know in the comments.

PRACTICE

For fifteen minutes, take one of your projects (if you participated in the 7 Day Creative Writing Challenge, or NaNoWriMo in November 2017, use something from that event) and continue drafting it. Then briefly describe your writing community, and why it is helpful to you. When you’re done, share your writing in the comments below, and be sure to leave feedback for your fellow writers.

Thank you for reading, and remember: You, and your words, deserve a community!

The post Writing Community: 3 Critical Reasons Why Writers Need Community appeared first on The Write Practice.



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First Look – Tour Edge’s Affordable Hot Launch 3 Hybrid

Last week's PGA Show had little to offer in the way of fresh and compelling new ideas. That said, one could argue if any OEM produced a discernable vibe layered with newfound optimism and dare I suggest, excitement, it was Tour Edge.

It's not often an OEM focuses marketing efforts on a second-tier product, but that's exactly the approach Tour Edge is taking for 2018 with its Hot Launch 3 line of equipment.
The proposition is simple, the price affordable and yet it's a space in which few, if any, other OEMs are willing to play.

hl3-hero

Tour Edge defines this niche as a place where consumers can access custom fit, game-improvement targeted equipment, built on the foundation of advanced technologies at uber-budget friendly price points. On top of that, Tour Edge guarantees an Amazon Prime fast 48-hour delivery on all custom clubs.

The third release in this line is the HL3 hybrid, which retails for $119.99. The tech story isn't dissimilar from what we often hear from higher-priced competitors and is no doubt what gives Executive Vice President John Craig confidence to assert "With HL3, you can get the best of both worlds; leading edge performance and a retail price that won't break the bank."

The face is crafted from 450 Carpenter Steel and incorporates VFT (Variable Face Thickness) to promote more ball speed retention on off-center strikes. The Power Channel serves as Tour Edge's "slot technology" giving the face more flex to increase initial ball velocity.

Ranging from 48 grams to 60 grams and available in four flexes (L, A, R, and S), the stock shaft is produced by UST Mamiya exclusively for the Hot Launch 3 line. Exclusive Design in shaft parlance almost always translates as made for, and while these shafts are often less expensive to manufacturer (and tend to be higher launching/spinning as well) than after-market equivalents, let’s not forget the target audience for Hot Launch.

hl3-addr

Hot Launch, as a line, is a "MOM" (Meat of the Market) release and my hunch is Tour Edge's balance sheet would reflect the reality that there are far more golfers out there looking for high value-low(er) cost products than gearheads and equipment junkies might readily admit.

It’s the opposite of the PXG Effect, and thus far, it’s a market space that’s proving to be a sweet spot for Tour Edge

hl3-spec

The Hot Launch 3 hybrid retails for $119.99 and is positioned to replace 3-6 irons (lofts of 19°, 22°, 25°, 28°) and is offered in both right and left-handed models.

Tour Edge will be a full participant in this year's Most Wanted testing and in an environment where performance speaks for itself, it will be interesting to see what Hot Launch 3 has to say.

For more information, visit TourEdge.com.



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Tuesday, January 30, 2018

TaylorMade Releases New Project (a) Golf Ball

TaylorMade is on a bit of a roll with its golf balls. While Titleist remains, by far, the most dominant ball in golf, TP5 is the real deal, and that’s given the company and its balls some real tour momentum. Twist Face drivers may be getting all the attention right now, but TaylorMade staffers are winning, and they’re doing it with TaylorMade balls in the bag.

That’s the happy bit of the story, but TaylorMade understands the reality that $50/dozen tour balls will likely never be the biggest seller for any ball company not named Titleist. TP5 might not reach elite golfers the same way a Pro V1 does, but for average golfers, there’s some serious appeal to a tour-quality ball at a significantly lower price. The success of Vice and Snell among others suggests that's the way the market is trending, so it’s worth mentioning that TaylorMade started down that path way back in 2014.

The Project (a) (why the brackets?) is a three-piece golf ball with a cast urethane cover, just like the Pro V1. Until the TP5 launched, Project (a) was TaylorMade’s most successful golf ball model, despite flying mostly under the radar. The Project (a) could hold its own against anything at a similar price point, and you can bet TaylorMade believes its new (a) can more than do the same against anything sub-$40. And yeah, that includes Titleist’s new non-urethane covered Tour Soft.

pa-ball

So what has changed between Project (a) iterations?

I’ll give you one guess.

Yup, distance.

Consumer feedback showed that only 7% of Project (a) consumers chose the ball because of distance. Short off the tee? Not dramatically so, but as you’d expect, TaylorMade has worked hard on increasing driver distance without sacrificing Project (a)’s soft feel. Yes, that’s right, TaylorMade makes a soft ball too.
TaylorMade claims the new Project (a) is producing upwards of 10 more yards off the tee compared to the previous version.

pa-bnr

How is that possible?

First up are the dimples. There’s always a dimple story. The new (a) leverages the seamless 322 dimple pattern from the TP5 and TP5x. That gets you less drag so, all things being equal, the ball travels farther through the air.

Second, there’s a new Dual-Distance core. An extra large inner core helps reduce spin, while the firmer outer core helps retain speed. For good measure, a thin urethane cover helps provide soft feel and better bite for more greenside spin.

pa-back

Is Project (a) a tour ball for the masses then? That’s been the message since 2014, and frankly, it’s a ball that probably hasn’t received all the attention it deserves – and that was before TP5, which TaylorMade believes will prove to be a better performing ball for just about anyone.

Project (a) was originally marketed as a tour-quality ball for slow to moderate swing amateurs, but its position has shifted a bit to target the feel driven and now distance driven golfer. Our hunch is that for some within that group, it’s still a better ball than the TP series, while remaining a bit of a sleeper for soft feel at a price crowd.

Bottom line, it’s a good ball worth another look.

Available in White and Yellow. Retail price is $39.99

Project (s)

ps2

Also announced is the new Project (s), a 3-piece Ionomer cover ball designed for slower swing speeds. Compression is lower than that of Project (a), and according to TaylorMade, offers the softest cover in its category.

Softer, longer, and less than $25 a dozen. That’s your headline.

Available in White, Yellow, and Matte Orange. Retail Price is $24.99



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10 Writing Tips from Ursula Le Guin

Last week, we lost an incredible novelist. Ursula Le Guin passed away at age 88 in her Portland home.

10 Writing Tips from Ursula Le Guin

Photo by Marian Wood Kolisch, modified by The Write Practice

I’ve been reading Ursula Le Guin for a long time, since I first discovered The Earthsea Cycle, which reinvigorated my love for fantasy.

She’s also famous for her science-fiction, especially The Left Hand of Darkness and The Dispossessed, and was one of the first to show the world that women can not only write great science fiction, they can often do it better than men.

Le Guin was a “genre” writer who constantly pushed the boundaries of what we think of as genre. Besides sci-fi and fantasy, she wrote poetry, creative nonfiction, and literary fiction.

We first shared her writing wisdom on The Write Practice back in 2014 when she was honored with the Medal for Distinguished Contribution to American Letters at the National Book Awards. That’s a fancy sounding award that basically means she was the bomb (she really was). It’s also just one of many awards she received throughout her career.

I honestly believe she will go down in history as one of the greatest writers, literary or otherwise, of the 20th century.

Ursula Le Guin’s Quotes on Writing

With that in mind, here are ten quotes from Ursula Le Guin on her process as a writer:

1. “Show, Don’t Tell” Is for Beginners

From ursulakleguin.com:

Thanks to “show don’t tell,” I find writers in my workshops who think exposition is wicked. They’re afraid to describe the world they’ve invented. … This dread of writing a sentence that isn’t crammed with “gutwrenching action” leads fiction writers to rely far too much on dialogue, to restrict voice to limited third person and tense to the present.

2. So Is “Write What You Know”

From ursulakleguin.com:

As for “Write what you know,” I was regularly told this as a beginner. I think it’s a very good rule and have always obeyed it. I write about imaginary countries, alien societies on other planets, dragons, wizards, the Napa Valley in 22002. I know these things. I know them better than anybody else possibly could, so it’s my duty to testify about them.

3. Do Your Job as a Writer, and Do it Really Well

Ursula Le Guin writing quote

From Paris Review:

But when people say, Did you always want to be a writer?, I have to say no! I always was a writer (tweet that, emphasis mine). I didn’t want to be a writer and lead the writer’s life and be glamorous and go to New York. I just wanted to do my job writing, and to do it really well.

4. Shoot for the Top, Always.

Ursula Le Guin writing quote

From Paris Review:

When asked what authors she measures her work against, Le Guin says:

Charles Dickens. Jane Austen. And then, when I finally learned to read her, Virginia Woolf. Shoot for the top, always. You know you’ll never make it, but what’s the fun if you don’t shoot for the top? (tweet that)

5. Write Like Who You Are

From Paris Review:

Hey, guess what? You’re a woman. You can write like a woman. I saw that women don’t have to write about what men write about, or write what men think they want to read. I saw that women have whole areas of experience men don’t have — and that they’re worth writing and reading about.

6. Learn From the Greats

From Paris Review:

It was Borges and Calvino who made me think, Hey, look at what they’re doing! Can I do that?

7. Writing Is All About Learning to See

Ursula Le Guin writing quote

From Paris Review:

A very good book tells me news, tells me things I didn’t know, or didn’t know I knew, yet I recognize them — yes, I see, yes, this is how the world is. Fiction — and poetry and drama — cleanse the doors of perception. (tweet that)

I love this, by the way. It reminds me of Oscar Wilde’s quote, “No great artist ever sees things as they really are. If he did, he would cease to be an artist.”

8. Begin Your Story With a Voice

From Paris Review:

How should you begin your story?

With a voice. With a voice in the ear. That first page I wrote, which the novel progressed from, is simply Lavinia speaking to us — including me, apparently.

9. Focus on the Rhythm of the Story

From Paris Review:

I want the story to have a rhythm that keeps moving forward. Because that’s the whole point of telling a story. You’re on a journey — you’re going from here to there. It’s got to move. Even if the rhythm is very complicated and subtle, that’s what’s going to carry the reader.

10. Don’t Waste Time

From Paris Review:

And one of [the things you learn as you get older] is, you really need less … My model for this is late Beethoven. He moves so strangely and quite suddenly sometimes from place to place in his music, in the late quartets. He knows where he’s going and he just doesn’t want to waste all that time getting there. … One is aware of this as one gets older. You can’t waste time.

How about you? What do you love about Ursula Le Guin? What has she taught you about writing? Let us know in the comments.

PRACTICE

Use tip #5 and write like who you really are.  Write like a woman or a man or an American or an alien or an Ursula Le Guin or a Joe Bunting. Write just as you are.

Write for fifteen minutes. When your time is up, post your practice in the comments section. And if you post, please be sure to give feedback to a few other writers.

Happy writing!

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Callaway’s Harry Arnett Goes Rogue, Calls Out Titleist over “Misleading and Untrustworthy” Ad

Over the weekend, Callaway’s Senior VP of Marketing (and also President of OGIO), Harry Arnett lobbed a Twitter grenade at Titleist, which for the sake of context, still lays legitimate claim to being the #1 Ball in Golf™.

At least that particular Trademark reflects reality.

Harry’s tweet, which will almost certainly go down as the opening salvo in a protracted ball war, was in response to an ad Titleist ran during the Farmers Open.

Here’s the tweet

Make sure to check out the stream of replies. You’ll find a mixed bag of Titleist and Callaway loyalists defending their brands. Even Callaway Staffer, Daniel Berger, weighed-in in defense of Chrome Soft.

The specific point of contention is a couple of charts favorably comparing Titleist’s new Tour Soft golf ball to Callaway’s Chrome Soft, Bridgestone’s Tour B RXS, and TaylorMade’s TP5.

We mentioned that comparison in our recent story on the Tour Soft while pointing out that positioning the performance of a 2-piece Ionomer (at least mostly ionomer) covered ball alongside 3, 4, and 5-piece urethane balls is a bold move.

Arnett’s take is that the ad is misleading and untrustworthy; words almost certainly chosen to undermine Titleist’s message of trust. I don’t want to put words in Harry’s mouth, but given just two letters, I think he’d go so far as to call it BS.

The Titleist Defense

To its credit, Titleist lays out the basis for its claim with more detailed fine print than you’ll find in most golf ads.

In case you missed it in the video, that fine print reads:

“Driver distance results from machine testing setup condition of 140 mph ball speed, 12 degree launch angle, spin rate 2900 rpm: Titleist Tour Soft golf balls are 5 yards longer than Callaway Chrome Soft, 4 yards longer than TaylorMade TP5 and 2 yards longer than Bridgestone Tour B RXS. Tour Soft is 14 compression units softer than Chrome Soft, 15 units softer than TP5 and 12 units softer than Tour B RXS.”

By those numbers, I suppose you can make a case that Tour S is better. Certainly, the lack of a greenside spin comparison, particularly when urethane balls are part of the discussion, is a red flag, but in previous communication, Titleist has been clear about its belief that Tour Soft can hold its own around the green with those other balls.

The issue…at least Harry’s issue is that Titleist is comparing apples (urethane tour balls) and oranges (less than tour balls).

And that raises an interesting question: Fundamentally, is it reasonable, fair, honest, trustworthy, etc. to compare a 2-piece, ionomer ball to 3+ layer, urethane Tour balls? It’s a question for which the answer is more opinion than fact, but I’m certain that if MyGolfSpy made a similar comparison in a ball test, we’d get blasted – and my opinion is that we’d deserve it.

That said, I’m not entirely sure that Titleist crossed the line here. Should we make comparisons based on performance, based on layers and materials, or both? Again, answers are matters of opinion, not fact, but it’s not a comparison I’d allow to be made on MyGolfSpy unless our stated intent was to compare two unlike things.

The other side of this – likely the Titleist side - is that there is a segment of golfers who don’t much concern themselves with layer counts and cover materials. If distance and feel are the metrics that matter, then maybe it is a reasonable comparison. Materials and layers may not compare, but performance – according to Titleist - does. There are inarguably golfers who want a ball that’s long and soft, and probably cheap too. If Tour Soft is that ball, the rest maybe doesn’t matter.

Ionomer vs. Urethane – meh

2-piece vs. 3+ - also meh

Long, soft, cheap, and spinny-enough around the greens.

You guys though…

The validity of the comparison ultimately boils down to the audience. For my audience and as I’ve said, I don’t like it, and given Titleist’s positioning as a brand for serious golfers, it is, perhaps, a dubious comparison as well. My concession here is that every brand has to reach less-than-serious golfers if it hopes to succeed. Tour Soft is one avenue for Titleist to do just that.

There may also be a strategic element in this. It’s possible that Titleist is hoping to create an equivalency between its non-tour ball and its competitors’ higher-priced tour offerings with the hope that it can then market AVX as the tour-level alternative to what it has previously positioned as lesser balls.

As for Harry Arnett’s Tweet…

Followers of Harry Arnett know that he sometimes comes across as a reckless hothead; a twitter bull in the internet's china shop. He’s been known to mix it up with competitors, followers, and most definitely MyGolfSpy staffers. I believe that Harry often shoots genuinely from the hip, but I think this one was planned. Perhaps not letter for letter or word for word, but sooner or later Harry was going to fire a shot and when an opportunity presented itself…Harry did Harry things.

There's a case to be made he outdid himself. A conversation is being had. A timeline may have been accelerated.

There was plenty of chatter at the recent PGA Show that Callaway was going to try and make a move in the ball market, and so here you go. Callaway has cemented itself as a clear number 2 in the ball category. With Chrome Soft it has an established franchise that resonates with a segment of golfers, and it has plenty of that oft-referenced momentum that CEO's love to talk about.

The timing is right.

As Callaway moves forward, Titleist is taking fire from all sides. Direct to consumer (both white box and balls with actual R&D behind them) are cutting into the bottom line. It’s locked up in litigation with Costco, and Chrome Soft has almost certainly forced it to play a bit of defense and design with soft in mind.

With AVX lying in wait, Titleist hopes Tour Soft can begin the process of taking back some of what it lost to Callaway, but with all the talk of Graphene infusion, Callaway certainly has the better story (your performance mileage may vary) going into 2018.

While I’m sure there are firm opinions on both sides, what remains to be seen is whether Chrome Soft can thrive with a $5 price hike. If consumers are devoted to Chrome Soft because of the way it performs, then expect the momentum to continue. If, however, consumers love Chrome Soft because it’s soft and cheap, then Titleist has a real opportunity to do some damage with its softer and cheaper Tour Soft.

Not that you asked, but I’m 50/50 on this one. Chrome Soft continues to evolve into a better golf ball, but with each iteration, it gets a little firmer, and now a little more expensive, and with that, a little more removed from what first attracted the consumer to the ball. That could prove to be problematic for Callaway. It could also prove to be nothing at all. Like I said, 50/50.

Begun, The Ball Wars Have

Whatever you think of Harry’s tweet and the resulting discussion, I can assure you this is just the beginning as Callaway looks to make a serious push towards unseating Titleist as the #1 Ball in Golf (at least at the consumer level). If it happens at all (HUGE IF) It won’t happen overnight, it won’t happen this year, and probably not next year either. Make no mistake, though; this is most definitely the beginning of a serious ball war that, if Harry Arnett’s first tweet is any indication, will be loads of fun to watch.

MyGolfSpy reached out to both Harry Arnett and Titleist. Both declined further comment.



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How to Turn Off and Regulate Your Hunger Hormones for Good

Monday, January 29, 2018

First Look – FootJoy Tour S Golf Shoe

Lost in the flurry of PGA Show releases, and perhaps even FootJoy’s own classically stylish throwback 1857 Collection was the release of the Tour S Golf shoe.

You may recall that a couple of years ago FootJoy tried to make a run at shoe fitting based on the idea that, in addition to finding the right size (and width), it was also important to fit for how your feet move in the swing. FJ FreeStyle (my favorite), for example, is a prime example of a mobility shoe. It’s for those of us with what I’d suppose you might call busy feet in our golf swings.

On the opposite end of the spectrum are stable shoes. In a less than literal sense, they’re designed for golfers who benefit from being anchored to the ground. Think of these shoes as offering a firm, stable base, and not a ton of wiggle room. It’s a platform, or at least a notion, that many golfers love and so I suspect many golfers will love FootJoy’s new Tour S.

FootJoy Tour-S-203

I’ll touch on the tech in just a bit, but the big takeaway here is that the Tour S is the most stable shoe in the FootJoy lineup, in fact, it’s the most stable FootJoy shoe ever. Basically, it’s the polar opposite of FreeStyle. How I feel about that is very much TBD.

The stability comes from what FootJoy calls POWERPLATE technology. In simple terms, it’s an outsole design consisting of two key design elements.

The outsole is made from Pebax, an elastomer that’s stiffer but more responsive than TPU. One of the things you’ll likely notice with the Tour S is that it’s not particularly pliable – and that’s exactly what FootJoy wants in the Tour S. What you lose in flexibility, you get back to an extent in responsiveness. Pebax springs back faster than TPU, and ultimately that means less fatigue over the course of a round.

FootJoy Tour-S-208

The second stability element is the addition of what FootJoy calls Launch Pods. The pods are what house the spikes, and while it’s easy to get caught up in the aesthetics, their purpose is actually to widen the cleatbed so golfers can better leverage ground forces to create more power in the golf swing. It’s also worth mentioning that that Launch Pods in the toe area are comparatively narrow to allow the golfer to rotate thought the swing without interference.

As a weight saving measure, FootJoy has replaced the metal shank traditionally hidden in the middle of its soles with lighter visible carbon weave fiberglass. The same material is also visible in the heel cup where it again saves weight without compromising stability.

A golf shoe, no matter how stable, is pretty much worthless if it isn’t comfortable. With that in mind, FootJoy has bundled plenty of comfort features into the Tour S.

  • The TPU Power Strap harness system increases stability in the upper while allowing for a comfortable yet snug fit.
  • An EVA midsole provides cushioning throughout the footbed.
  • The new ComforTongue ensures the tongue doesn’t cause any discomfort.

FootJoy Tour-S-214

That last one is particularly interesting to me. My one and only knock with the Pro SL was that I felt the tongue was a bit longer (and firmer) than it needed to be. With the Tour S, the foam-based tongue is much softer on the foot. It’s a simple, yet positively brilliant innovation.

FootJoy has already seen some of its Pro SL players switch to Tour S, and the expectation, or at least the hope, is that staffers who are still in the XPS-1 (the previous most stable shoe in the FootJoy lineup) will make the jump to the newer model, specifically for its increased stability, lighter weight, and improved comfort.

FootJoy Tour-S-207

The New Flagship

Tour S is a new flagship in the FootJoy line and with that you can expect a couple of things.

Firstly, it’s going to be available in a tremendous number of size and width combinations. I’d wager it will be the most complete offering in the golf shoe industry this year. As I’ve said before, if you can’t find a FootJoy that fits, you might want to think about getting new feet.

Secondly, as you’d begrudgingly expect, it’s priced like a flagship shoe. FootJoy is doing a bit of consolidation and SKU reduction, so initially, the laced version ($249.95) will be available in 3 colorways (white, white/blue, and black) and the BOA version ($279.95) will be available in a single white/gray colorway.

Given recent trends, I’d expect FootJoy to add additional colorways at a later date.

Retail availability begins 2/5/2018.

To see more photos of the FootJoy Tour S golf shoes, visit the Gratuitous Picture Thread in the MyGolfSpy Forum.

FootJoy Tour-S-220



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Encouraging Words for Writers: 3 Essential Reminders for Struggling Writers

There are a lot of things that stop us from writing. Fear of failure, discouragement, and exhaustion are my big three. Sometimes, what we need to push through those barriers is a reminder of who we are and why we do what we do. We need someone to come alongside us and speak encouraging words for writers.

Encouraging Words for Writers: 3 Essential Reminders for Struggling Writers

We need to be told again the stories that have led us to the place we are now.

3 Encouraging Reminders for Writers

On the wall of my office, I have a collage of quotes and pictures that have inspired me. Each quote represents a story from my past. I read over them whenever I need a boost of encouragement (which is at least once a day).

These encouraging words for writers are a wonderful source of strength for me. Many of the quotes on the wall are from friends and family who had the right words for me at the exact right time.

Here are three I lean on regularly to get me through rough patches.

1. “Work the process.”

My mentor said this to me at a moment when I was completely lost.

Things at work were falling apart. Several projects had started to break down at the same time, another staff member had verbally attacked me in a staff meeting, and I was being accused of something I didn’t do. On top of that, the organization I worked for was in financial trouble and I wasn’t sure we were going to turn things around.

I called my mentor to ask for help because I had no idea what to do next. We sat in an empty hallway in the basement of the building. It was late and everyone had gone home. Leaning against the painted cinderblock wall, I explained to him in detail everything that was going wrong and all the extravagant plans and drastic measures I had designed in my head that would turn things around.

After hearing me out, he said, “Work the process.” I asked him to explain.

“Don’t do anything extravagant. Don’t take drastic action. There are processes in place. Work the process.”

Often as a writer, I work myself into a dark place. I begin to feel like my writing is worthless. I grow discouraged and lose focus. I find a thousand things to do instead of writing the next chapter.

When I get in that head space, I remind myself to “work the process.”

There is a process to my writing. I write after my family has gone to sleep. I sit at my kitchen table with my laptop, a drink, and a notepad, I skim the last chapter I wrote, I look at my outline, and then I write the next chapter.

When life is hard and I don’t feel like writing, the process keeps me focused and moving in the right direction.

It’s not extravagant. It’s not drastic. It is mundane and routine; and when things get hard, that’s exactly what we need.

2. “No one is going to die on the table.”

I wasn’t prepared for the pre-med course load I took on my sophomore year of college.

My freshman year, I’d been a music major. Since the classes were mostly about performing, I’d been able to wing it with a minimal amount of preparation. Instead of working hard in the practice rooms each day, I learned to play racquetball and became a regular on the basketball court.

Predictably, my disdain for practice made it clear to me and my teachers that I wasn’t going to cut it as a musician, so I decided to pursue one of my other interests, science. While I loved the classes, I was not prepared for the amount of studying that was required.

By the time I got to my midterms, I was way behind in multiple classes.

The night before three tests, a group of friends who were in class with me came over to study. We blew through our biology and chemistry notes in our first three hours together and I felt good about my prospects in the morning.

A little before midnight, we began studying for physics. I hated physics. Sitting at my small round kitchen table, my friends rattled off formulas, made up problems for one another, and answered practice questions with ease. I, on the other hand, was completely lost.

After an hour and a half of trying to “get it,” I excused myself from the study session, claiming I needed to get something from my bedroom. Hiding in my closet so no one could hear me, I began to cry. I called my dad and explained through tears what was happening. I was sure I was going to fail the test and it was too late for me to do anything about it.

After calming me down, he said several things to me that night that have stayed with me. One of which was, “Listen, if you fail tomorrow, no one is going to die on the table.”

Dad was a surgeon who primarily saw high-risk patients. When someone got to him, it was life-or-death. If he messed up or came to work unprepared, someone might literally die on the table.

The words he gave me that night were a fantastic reality check that I’ve used again and again. They’ve helped me take risks and push through fear. When my fear of failure begins to slow me down, I remember sitting in my closet and getting a good dose of perspective from my dad.

Through the years, fear has stayed with me. It is the greatest enemy of writing. Many nights I will sit down to write a chapter and hear fear in my ear whispering, “You’ve got nothing. You’re not a real writer. Stop kidding yourself. You’re going to fail.”

When that voice comes around, I remind myself of the stakes. If I write a terrible chapter, no one is going to die on the table. I’ll just erase it and try again tomorrow.

Having a refreshed perspective helps me move through fear and write.

3. “The tension is good.”

It was after midnight. My friend and I were alone on the second floor of a bar. On the table in front of us were stacks of meeting notes and ideas we’d sketched out together over the years. We were drinking coffee, talking about a non-profit we were both serving, and dreaming up ways to solve all the organization’s problems.

There were some amazing things happening in the organization. We were seeing real breakthroughs in the community we served and people were being helped.

At the same time, we could feel the organization hadn’t reached its full potential. We knew what it could be, but we weren’t sure how to get it there.

We thought that maybe, if we tweaked this one process, or increased our effort in this one area, or redirected resources to this other direction that we would see a breakthrough.

Caught in the tension between the good we were doing and the good we wanted to do, I began to complain. I whined about wanting the future to arrive already, and how I didn’t want to have to wait for changes to take hold.

After I finished another pointless rant, I remember my friend smiling at me and saying, “Don’t rush it. The tension is good.”

He was right. If we had made the changes right away that I wanted to make, we would have failed. Things that looked like a good idea at that moment were actually terrible ideas. Moving slow and making careful and strategic changes helped us see different paths and solutions that weren’t immediately apparent.

As a writer, I often find myself with a problem I can’t fix easily. For me, it usually has to do with plot. I’ll work myself into a hole in my story that I can’t get out of.

Weighed down by exhaustion, my gut tells me to just ignore it, hope readers won’t notice, and rush to the end. I tell myself, “Just publish it and move to the next one.”

Unfortunately, I’ve learned the hard way that readers always notice.

The phrase “the tension is good” has served over and over again to remind me that some problems need to sit. They can’t be solved right away. Instead, they need to be thought through because marinating in the tension will produce a better result.

Encouragement for the Journey

Those are three of the memories that bring me inspiration and encouragement. When I’m stumped in my writing, overwhelmed, afraid, or all three at once, these encouraging words for writers remind me that I will make my way through.

No, my writing isn’t perfect. But the process works. No one is going to die on the table. And the tension is good.

When you hit a rough patch, what encouraging words for writers do you lean on? Let us know in the comments.

PRACTICE

Today, you have two practice options. Write about a time when someone told you something that continues to help shape your practice. Or, write a scene in which a mentor gives your character a pep talk. What obstacle do they face? And what does their mentor say to help them overcome them?

Write for fifteen minutes. When you’re done, share your writing in the comments below, and be sure to leave feedback for your fellow writers!

The post Encouraging Words for Writers: 3 Essential Reminders for Struggling Writers appeared first on The Write Practice.



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Perspective is everything in life… choose a Great Day!

Choose a GREAT Day!

Perspective is everything. I find that charging through life with a positive mental attitude has done me well. When things got you down, remember you can envision yourself drawing a line in the sand. Then, see yourself stepping over that line… everything behind that line is now in the past—and it has no bearing on the journey in front of you. Appreciate it for what it was. Acknowledge it. Learn from it. And set the intention to love forward… setting a course that is not only good but one that is GREAT! #WLFManifesto

Posted by Dai Manuel: Your Lifestyle Mentor on Tuesday, January 23, 2018

Perspective is everything.

I find that charging through life with a positive mental attitude has done me well.

When things got you down, remember you can envision yourself drawing a line in the sand. Then, see yourself stepping over that line… everything behind that line is now in the past—and it has no bearing on the journey in front of you. Appreciate it for what it was. Acknowledge it. Learn from it. And set the intention to love forward… setting a course that is not only good but one that is GREAT!

#WLFManifesto


 



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Sunday, January 28, 2018

How to Live a life of Progression NOT perfection (video)

I can't say it enough… adopt a lifestyle of ‘progression' not ‘perfection'… here's what you can do about to start living the life you want starting NOW.

Live a life of Progression NOT perfection!

I can't say it enough… adopt a lifestyle of 'progression' not 'perfection'… #WLFManifesto

Posted by Dai Manuel on Thursday, January 25, 2018



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Friday, January 26, 2018

Story Ideas: How to Beat Shiny-New-Idea Syndrome and Actually Finish Your Projects

Authors often get asked where they get their story ideas. It’s one of the most common questions my student writers wish they could ask their writing heroes. They think, “If I could just find a way to come up with the next best-selling story idea like [insert famous author], then I’ll make it as a writer!”

But they misunderstand one critical truth: the magic isn’t in the ideas. It’s in the execution.

Story Ideas: How to Beat Shiny-New-Idea Syndrome and Actually Finish Your Projects

We need the ideas to get started, but many writers don’t have a system for capturing the ideas around them daily, and they don’t develop ideas consistently in practice.

We all have files full of unfinished projects and story ideas spread across notebooks and online platforms. Why do ideas lose their luster the moment we start writing them?

The Problem with Chasing Story Ideas

I had a student who was a few days away from his deadline for his final fiction project and he came to see me.

“I found a better idea and want to change my project,” he said.

“How much have you written on this new idea?” I asked.

“Well, you see, it’s about this guy …”

I interrupted him. “No, how much have you written on it. How many words?”

He shifted uncomfortably. “None, yet.”

I shook my head. “Write it down in a sentence in your journal, and finish the original project first.”

He sputtered a bit about how great this new story idea was compared to the thousands of words he’d written on his current project.

I had to give him the talk I give many students and myself when we feel stuck and get caught up chasing a new shiny idea instead of getting in the chair and grinding out the work.

“Ideas are nothing until you execute them. Your desire to chase something else is resistance. You are close to finishing the longest piece of fiction you’ve ever written. Finish it.

“The idea will still be there. You’re afraid the current work won’t be as good as it seemed in your head, when it was a shiny new idea like the one you’re courting now.

“But the magic isn’t in the idea. It’s in the way you execute it, which means you need a first draft. Then we’ll revise it into the work you want it to be.”

It wasn’t the answer he wanted to hear, but he ultimately finished the original project.

A System for Managing Story Ideas

A system can minimize shiny-new-idea syndrome, because you will have a plan for what to do when a new idea appears in the midst of your current project.

I always have a notebook with me, but sometimes I capture story ideas online. I used to bookmark interesting articles, until I had so many stored that I never looked at them. Since then, I’ve transitioned online links to Evernote with tags to easily search my ideas.

I know writers who love to use Pinterest to keep character boards, settings, and history research in a visually organized way. Others love spreadsheets. Some keep idea boards in their writing spaces.

Find the method that you are most likely to use, and it will save you time as you collect and use your ideas. Then, when you are in the middle of trying to finish a project, you know exactly where to put that idea that keeps interrupting your work.

Revisiting Notebooks for Idea-Mining

Whether you keep your ideas on paper or online, build time into your writing year to revisit your stash.

I used to dump all my notebooks in a jumble in a big bin when they were finished. Now, I put dates on the bindings and keep them in two boxes in my huge bin. Each summer, I make time to scan through the notebooks in one of the boxes, pulling one or two notebooks that have especially promising ideas to develop. Sometimes I just read through them and put them all back.

Online, I tag story ideas in Evernote by genre or fiction element (character, setting, conflict, interesting problem, etc.). When I’m looking for a fresh story idea, I can open Evernote and scan through a tag’s contents quickly.  

The Most Important Step

As I shared with my student who was chasing a new idea, the most important thing to do is simply pick an idea and follow it through to completion, one idea at a time, over and over again. A system can minimize those distractions, because you can tell your inner squirrel that the idea is safely lodged in your notebook and will be revisited when it’s time.

Of course there may be times when abandoning a project is necessary, but don’t let your reason be “Oooo, look at this shiny new idea!”

Where do you like to record your story ideas? Share in the comments.

PRACTICE

Take fifteen minutes to write a scene where a character chases an idea. Do they find the success they’re searching for? Or is this a cautionary tale of how to get waylaid by distractions?

When you’re done, share your story in the comments below, and be sure to leave feedback for your fellow writers.

The post Story Ideas: How to Beat Shiny-New-Idea Syndrome and Actually Finish Your Projects appeared first on The Write Practice.



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Thursday, January 25, 2018

Healing From Shame: How to Overcome the Insidious Cause of Writer’s Block

Today’s guest post is by Billie Wade. Billie is a gregarious introvert who loves all things writing. She is working on her first novel and a collection of short stories. She writes uplifting newsletter articles for a counseling center, personal essays, and blog posts for Escape Into Life (posted by Nancy Heather Brown).

Every time we sit down to write, our mood and state of mind affect our words. We infuse, to some extent, everything we write with our unique “voice.” Our emotions come through on the page.

Healing From Shame: How to Overcome the Insidious Cause of Writer's Block

When we’re struggling to eke out even a few words and make sense of our writing, it shows in our work. Our characters are flat. Our scenes are dull and passive. Our plot is thin and weak. Nothing we try fixes the problems. Or, maybe words don’t come at all.

We may declare that we have a case of writer’s block, particularly if we’ve wrestled with the vexation for weeks or months. But, there may be a stronger and more insidious obstacle: shame.

What Is Shame?

The kind of shame that can affect your writing is invasive, corrosive, powerful, and debilitating.

Shame is beyond embarrassment and sadness, although both may be present. It’s beyond writer’s doubt. It tells us we are defective and unworthy of joy, happiness, and reaching our goals. It’s the gnawing feeling in our solar plexus that we’re not okay, and anything we do is not okay. We feel as though we are a mistake rather than acknowledging that we made a mistake.

Shame can exacerbate or bring on depression and anxiety. I have lived with depression and anxiety my whole adult life, and I realize they can render me emotionally raw or destitute. These conditions magnify and intensify when I’m wrestling with my imagination. Combined, they mix a recipe that can shut me down for days.

Writers and Shame

When we feel helpless and vulnerable, our writing can take on a tentative and cautious tone. We may be afraid to write with honesty, thinking we’re too exposed or that our writing could harm others. That struggle to write can feel like writer’s block.

We don’t lack imagination. Rather, we lack self-compassion that allows our imagination to shine through. Having self-empathy helps us see ourselves as we truly are and acknowledge that everyone is imperfect and makes mistakes.

Conversely, we may say on the page what we can’t openly verbalize. Creative writing, whether fiction or nonfiction, can provide an outlet for pent-up emotions. Passion-charged words act as release valves for the writer and have a ring of authenticity and strength.

But, we must take care not to get stuck in an emotion which then drives all our writing.

Perhaps every scene is punctuated with anger, frustration, sadness, or desperation. Even tender, nurturing, quiet scenes somehow sound angry. Or, maybe, every scene sounds flat and emotionless because we’re avoiding confrontation with strong emotions within us.

It may be time to check our emotional state. This goes deeper than simple writer’s block. We can’t manage what we don’t know exists.

What Can We Do About Shame?

There are four powerful strategies for addressing shame.

1. Take steps to recognize shame

We first must acknowledge that the presence of shame is a possibility. We recognize the shame by looking at painful experiences in our lives, how we’ve coped with them, and the ways they continue to affect us.

Shame can show up in our lives as overeating, sleeplessness, outbursts, smoking, drinking too much, or using illicit drugs.

It may shut us down, or we may become super busy as we attempt to mask painful feelings.

It may wreak havoc on our relationships.

By bringing shame to the forefront, we can begin to deal with it.

2. Realize you are okay

Second, accept that there’s nothing wrong with you.

If you experienced an act perpetrated against you, know that you’re not at fault. You are dealing with the aftermath of emotional devastation.

Most of our life experiences are beyond our control.

Distraction activities may make us feel worse than before we engaged in them.

If you acted in a way that harmed someone else, know that you did the best you could at the time and try to find a way onto the path of self-forgiveness. Beating ourselves up compounds the pain. You may have to contend with the consequences of your actions, but you now can view the episode from the vantage point of humility.

It’s crucial that you know, really accept, that you are a precious, worthy human being.

3. Talk about it

Third, enlist the intervention of a professional or a trusted, supportive, nurturing person — psychologist, counselor, mental health therapist, minister, rabbi, priest, spiritual director, or trusted friend or relative. We must confront the shame in a process that works for us, but we don’t have to do it alone. Check resources in your community for the type of counseling you need.

I regularly meet with a psychologist to sort through the pain of trauma and the resultant emotions. I have, in the past, consulted with a spiritual director as well. They help me gain clarity and a sense of empowerment. They act as mirrors for me and see what I can’t — I’m too close to my own stuff.

4. Write about it

Fourth, writing about the experience helps get it out of our head and in front of us where we can examine it without judgment.

You already have a set of tools and techniques in your writing arsenal. These strategies come in handy for journaling.

Ask questions to get started. What am I feeling right now? What do I want to do about it? If I choose to act now, what are the possible outcomes? How can I work through this? These questions will generate others.

Our journal can be as simple or as elaborate as we like. I have a favorite brand of leather-bound, lined journal that has 384 cream-colored pages, each graced with a fleur-de-lis at the bottom. I journal daily and have hand written over 7200 pages since September 8, 2002. I note the date and time of each entry. I use different colors of ink to enliven my writing and add an extra dimension of focus.

You can also journal in a word processing document on your computer or use one of several online journaling programs and apps.

Journaling helps me name the problem, identify the components and my emotions, and release strong feelings. It helps ground and center me, and is an excellent complement to my therapy sessions. I often discuss a journal entry in therapy, and I just as often journal what we discussed in a session.

Consider your threshold for safety when journaling. Protect it and keep it as private as you need to. Show or discuss it with other people according to your comfort level.

Freedom Beyond Shame

Working through the layers of shame can be rewarding and powerful, though neither simple nor easy. The time spent can open avenues and vistas beyond imagination.

Approaching shame with an attitude of healing, rather than trying to fix what happened, will support you and help sustain your efforts. As you overcome shame, you’ll overcome the associated writer’s block, too. Your stories — and your life — will be all the richer for it.

All the best to you as you explore the shame in your life. You and your writing are worth it.

What are some techniques you have for working through strong emotions that act like writer’s block and threaten your writing? Let us know in the comments.

PRACTICE

Write a scene in which your character is shamed about an incident for which your character is not at fault. What is your character’s response? Write for fifteen minutes. Share your scene in the comments.

If you post a comment, be sure to leave feedback for fellow writers. We’re here to support each other.

The post Healing From Shame: How to Overcome the Insidious Cause of Writer’s Block appeared first on The Write Practice.



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