Tuesday, June 7, 2016

Budget Yardage: The Nexus Laser Rangefinder

Post image for Budget Yardage: The Nexus Laser Rangefinder

Budget Electronics…

That’s always been a phrase that makes me a bit nervous as a consumer. I view generic pharmaceuticals the same way. I want to save some money, but I also want to be damn sure that what I’m buying actually works.

Today I bring you a piece of budget electronics, the Nexus Laser Rangefinder from Precision Pro. The big deal about this laser is that it sells for $199. Those of you who have shopped for laser rangefinders know that this price comes in lower than many others on the market. It’s less than half the price of some of the top end laser units.

Saving money is great, especially on a golf gadget that is typically super expensive. Low cost is definitely a great selling point.

But does it work?

Nexus Laser Rangefinder - 1

Tech Specs: Nexus Laser Rangefinder

  • 400 yard range
  • 1/10 yard measurement (124.5 yards)
  • Dynamic Scanning Target Lock Mode (D.S.T)
  • 6x magnification
  • Water resistant design
  • Softcoat outer casing (Shock Proof casing)
  • Yards/Meters function
  • 1-year manufacturer warranty
  • Includes 3 volt battery, cleaning cloth, carry case and lanyard
  • Weight: 7.5 oz.
  • MSRP: $199

Ergonomically Approved

Nexus Laser Rangefinder - 5

We actually had a different Precision Pro laser, the Latitude, in last year’s Most Wanted Laser Rangefinder trial. It held it’s own in terms of accuracy, but lagged behind the others in speed, optics, and display. But the biggest detractor with the Latitude, as reported by our testers, was the bulky design and slick feeling plastic body.

The Nexus represents a huge improvement in ergonomics. Huge improvement. Where one would dismiss the Latitude almost immediately after picking it up, the Nexus feels much more welcoming. The body shape has been improved to fit the hand better, and the materials used provide just the right amount of comfort and tactile engagement.

Huge improvement. I said that already, but it’s worth saying it again. Huge improvement.

The Nexus is a budget laser that doesn’t feel cheap. That’s a big step in the right direction.

Speed of Read

Nexus Laser Rangefinder - 3

The electronic guts in the Nexus do a solid job of picking up the flag quickly. You can shoot targets the “regular” way, or use the Dynamic Scanning Target Lock Mode (D.S.T) that allows you to “scan over target 2-3 times and rangefinder locks into flag and eliminates background”. Whichever way you target, the yardage numbers are pretty quick to acquire, and accurate.

For comparison, I shot flags on the course with the Nexus and with the vastly more expensive Leuplod GX-4i2. Numbers were similar, well within the acceptable needed precision for club selection. Kudos to the Nexus for finding a place at the accuracy table with the big boy lasers.

Optics and Display

Nexus Laser Rangefinder - 4

Unfortunately, the optics of the Nexus, while totally functional, are the one place where the budget electronics tag becomes apparent. Magnification is excellent, and actually a bit stronger than other lasers on the market, but the clarity, resolution, and depth of field are just not as good.

Overall, the clarity through the lens is just not as, well, clear as the more expensive units. It looks a bit foggy compared to the crystal clear Leupold. Remember though, that Leupold is $400 more expensive. The Nexus lens works, it’s just not as nice as those found in other units. While magnification may be higher, the resolution suffers compared to other units. You’ll see the flag, just don’t expect to read what’s written on it.

Depth of field is probably the biggest detractor with the Nexus. For the non-lens initiated, depth of field refers to how much of the viewing depth is in focus at any one time. For example, photos with the subject in focus, but the background blurry are created by reducing the depth of field. Majestic outdoor photographs of nature where it seems like you can see every detail would have maximum depth of field.

The Nexus has a shallower depth of field when compared to more expensive lasers. What this translated to on the course was a need to adjust the diopter far more than I usually do. Getting the clearest image with the brightest targeting reticule took some adjustment if you are shooting from different distances. The settings that worked at 200 yards will likely not be effective at 100.

Thankfully, such adjustments are very easy to accomplish, but you will likely need to make these adjustments to get the best image, and this will slow your readings down a bit.

Overall Impression

Nexus Laser Rangefinder - 3

Overall, if you understand that a sub-$200 laser is not a $600 laser, I think that you will find the Nexus to be a great rangefinding choice. It’s comfortable, accurate, and pretty fast, even with some required adjustment.

If you would like to try one of these out, follow the link below to find a dealer near you.



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Monday, June 6, 2016

How to Write Dialogue Without Using Adverbs

by Jeff Elkins

It made a generation fall in love with Gilmore Girls, and almost destroyed Star Wars Episodes 1, 2, and 3.

Dialogue can make or break a story. When it is good, we are joyfully entangled in it. When it is bad, the story can be painful to read.

How to Write Dialogue Without Using Adverbs

To spice it up, we will often turn to descriptors—adjectives and adverbs the convey the emotion we hope the reader will hear. But these “ly” words can break a reader’s flow, making our story feel disjointed.

Never fear! There is hope! If we start with a good foundation and sprinkle some action, we can write dialogue that sings.

Here are three steps to crafting vivid, believable dialogue:

Step One: Start with a Firm Foundation

Building dialogue in your story is like building a Lego castle. You do it one brick at a time, and every brick matters. Like Crissle from the Read says, “Words mean things.”

Step one in writing great dialogue is picking the right words.  A red brick in a yellow wall stands out, so we need to make sure the placement of things that catch the eye is intentional. Two sentences that express the same sentiment may carry very different emotional charges depending on how the words are constructed.

For example, let’s say I wanted to ask you how your day was. Here are five ways I might ask, each with a different emotional feel.

“Welcome home. How was work?”

“How’d it go today?”

“Did you survive?”

“So?”

“Well?”

To continue the example, let’s say you wanted to respond back and tell me there was nothing special about the day. Here are five ways you could convey that to me with different emotional tones.

“What do you want me to say? It was work.”

“Nothing to report.”

“I’m not sure what you want me to say. It was just a normal day.”

“You know.”

“Why do you ask?”

A trick to help you decide if you have the right words

During the day, when I’m not writing fiction, I write for a company that simulates difficult conversations. When we (the writing team) are working on dialogue, we will often say to each other, “Put it in your mouth.”

Different phrases will feel different coming off your tongue.

For example, read the five sentences I wrote above. Pay attention to your natural intonation. Did they feel different?

Step Two: Show. Don’t Tell.

Now that we have words we like, to take our dialogue to the next level, let’s sprinkle in some action. Same rule applies—no descriptors. Don’t worry. We don’t need them.

As an example, I’ll take the examples I used above and add actions to them:

“Welcome home. How was work?” he said with a smile.

He greeted her with a hug. “How’d it go today?” he said.

“Did you survive?” he said with a wink.

“So?” he said without looking up from the book he was reading.

He was waiting for her at the door when she arrived. “Well?” he said.

And the responses:

“What do you want me to say? It was work,” she said with a sigh.

“Nothing to report,” she said with her eyes locked on her cell phone.

“I’m not sure what you’re after,” she said, cocking her head to the right. “It was just a normal day.”

“You know,” she said as she kissed his cheek.

“Why do you ask?” she said as she pretended to look for something in her purse.

Step Three: Mix and Match

Often after I’ve practiced dialogue in this way, I’ll mix and match them for fun. It’s amazing how a story can be born from one exchange.

“Welcome home. How was work?” he said with a smile.

“I’m not sure what you’re after,” she said, cocking her head to the right. “It was just a normal day.”

Or another:

“So?” he said without looking up from the book he was reading.

“Nothing to report,” she said with her eyes locked on her cell phone.

And one more:

He was waiting for her at the door when she arrived. “Well?” he said.

“Why do you ask?” she said as she pretended to look for something in her purse.

Write Actions, Not Adverbs

We don’t need the crutches of “ly” and adjectives to make our dialogue come to life. The right words flavored with a little action will turn simple exchanges into symphonies of emotion and connection.

Readers want to be captivated. All we need to do is pick our brush and begin painting them a picture.

PRACTICE

Take fifteen minutes to create your own two-sentence scene.

Pick a mundane sentence, like “How was your day?” or “Where are you going?” Write the sentence and its response four different ways. Each time, keep the same intention, but change the words so the sentence feels different.

Add a sentence or two of action to each one, then mix and match your exchanges to create a two sentence scene. When you’re finished, share your practice in the comments, and don’t forget to leave feedback for your fellow writers!

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SERIES: An Insider’s Look At Modern Golf Club Design | PART 3

Post image for SERIES: An Insider’s Look At Modern Golf Club Design | PART 3

Niche Companies and Garage Tinkerers - The Third Tier

In Part 2 of this Series we covered the first two tiers of golf club design R&D - the major OEMS and the identity companies. Now we turn our sights to the third tier, the small niche companies and "garage tinkerers", who almost exclusively deal in the underserved short game area of clubmaking: wedges and putters.

By: Bob Renegar

The short game clubs have always been the most interesting design challenge to me – their design performance objectives are so different from those for irons and woods. In fact, the short game clubs are actually more demanding in their breadth of design and the enormous variety of situational challenges where they must perform well – and their impact to your game is nearly twice that of your woods and irons combined!

Yet the short game segment remains largely unexplored with much REAL design work, because development there is no better than a tertiary R&D priority in even the largest OEM golf companies.

Exposed

So… I’m calling BS right here, right now, regarding the golf club design merit of practically all of the smaller boutique CNC milled putter guys and wedge custom grinders – I call them “garage tinkerers” – you guys know who you are.

Few really even know much at all about the designs they are copying, but they have excellent websites with some good techno-babble going and compelling price-equated-with-performance marketing working… there are even some “media darlings” emerging in this group.  

Anyone can put up a website these days with good-looking photography, make specious product claims, and proclaim himself a “master club designer”. Who is checking for real performance and product integrity? What, pray tell, are they checking? Who is measuring performance with meaningful performance parameters?  

These little guys rarely deliver to you a better performing golf club that will give you lower scores, because they in fact know very little about golf club design.  

Heresy, you say? Did he really say that? Absolutely. 

All Bark, No Bite

wedge-grind

It seems most golf club design expertise is now proclaimed far too prematurely (with media accolades, “certificates”, and “master” designations), and in the absence of meaningful assessments for design goodness, we golfers pretty much fall for it.

BUT . . . are you going to spend $500 on a new pimped-out customized CNC milled putter with your initials on it and then admit to your buddies (or your wife who still does not know you bought it) that you liked your old cheaper mallet putter from the big OEM because it seemed to work better? Well, you do look like a “player” at the club now… and your handicap is only about 2 shots higher – it’s probably the greens...

These smaller companies tend to be more about copying old designs and adding fitting and customization offerings than anything else – suggesting to you that many of the design possibilities for short game clubs are really just “personal preference” things - or worse that short game design is a settled matter and is therefore of little significance to you (read instead 2/3 of YOUR GAME!)  

They will also try to pass themselves off as manufacturing excellence leaders, when in fact most do not even understand the basics of golf club manufacturing. What they REALLY have is access to a CNC milling machine or a grinding wheel and a passion for being in golf.

YouTube tutorials are fine for learning furniture re-finishing, but they are a poor substitute for learning the manufacturing of golf clubs in a proper professional setting.  

Let me illustrate my point with a few design issues.  

CASE ONE – PUTTER DESIGN:  

MOI

long-hosel-putter

It is well-accepted conventional wisdom (and indeed correct) that higher MOI putter designs provide greater stability on off-center hits for improved preservation of both direction and energy transferred (line and speed in a putter). This keeps some of your putting mistakes still on line well enough and with correct speed enough to be holed instead of becoming misses. It logically follows then that the more a designer can increase the MOI in one of his putters, the better it will perform (and ultimately produce lower scores for you the user).  

Why then would ANY supposedly knowledgeable putter designer intentionally position club head mass high, forward, and near the center of the club with a hosel construction, when the mass instead needs to be located low, rearward, and maximized in the heel and toe for better MOI performance? Why waste 10-15% of the mass available in a normal 350 grams head weight (and the attendant MOI) with the construction of a HOSEL, when this connection can be accomplished through a relatively weightless bore and shaft attachment?  

A knowledgeable club designer interested in advancing the state of the art by giving you better performing products would not. So, one might deduce that putters with hosel constructions come from putter designers who have NOT yet given very much thought to the essential performance attributes of their product designs.  

Grooved Face

Putter Grooves

Grooved face treatments on putters are alleged to create improved putting accuracy with earlier ball over-spin (ergo, less skidding) off of a putter’s face – another conventional wisdom. Grooves will in fact greatly affect the sound and perceived softness of impact, as will excessively deep CNC face-milling cuts, and they may have some undetermined effect on energy transfer.  

Actually, friction between the ball and some other surface (read “the green” and not the putter clubface with practically NO loft) are what causes over-spin with a putt, so where is the testing on spin rates that confirms this? Where is proof of the “cause and effect” relationship between grooved putter faces and over-spin?  Where are the data even to prove earlier over-spin improves accuracy?  

If it really made a difference, no one would play anything BUT grooved faces competitively, and the performance improvement would be obvious to all of us with lower scores and handicaps and finite quantitative measurements – so, where is the data...?

The real truth is contrary - the sooner a ball begins making contact with the imperfections on the green surface, the sooner it can be knocked off line by one of those imperfections . . . and the sooner too the ball will actually go into an over-spin condition – but due to FRICTION with the putting surface and NOT due to impact with grooves on the minimum loft putter club face.  

The Truth About Putters

cnc-putter-mill

So, I would say to you that customized contemporary CNC-milled copies of 50 year old “blade-style” designs will ALWAYS be poor performers against a modern high MOI, no hosel, face-balanced, mallet design – like you see now becoming ubiquitous in professional golf. Mallets will always perform better than blade style putters. It is physics.

Why then would the big putter companies not make anything but these high MOI face-balanced mallets? There are at least two distressing reasons: 1) for some, they sadly do not know much more about putter design than the player-consumers who buy their products, and 2) for others, rather than go to the trouble of developing measurable performance and technology benefits, they just strive for a “variety” of offerings to suit any consumer’s supposed personal preference – it is much easier, and their sales there compared to woods and irons are quite small (so the status quo seems fine).

And, what authority is objectively and quantitatively measuring the performance of these products anyway? How many “STARS” or “Gold Medals” did your putter get?  A little sarcasm here regarding the shallowness of media reviews.  

Another huge problem here is that much of this customization in short game clubs from the “garage tinkerers” goes far beyond consumer preference – it reaches deeply into design attributes that greatly affect performance! Think about that... what looks cool to your eye might actually be detracting from the performance of your putter.  

CASE TWO – WEDGE DESIGN:  

 

The “wedge grinders” would have you believe the basic design attributes of wedges are so well settled that they can “fit” a sole “grind” choice to your swing, and you will be armed with the best short game equipment possible for your game. Did you ever read the shallow explanations of what these “grinds” are allegedly doing for you?  

Bounce

What happens when that meticulously fitted high-bounce “digger grind” of yours encounters the need to play a lob shot from a tight lie? Or how about a bunker explosion from firm sand? We are not playing Bridge here, so you cannot just “pass” instead of playing that particular shot!  

What if Control and Situational Versatility were really the design attributes of paramount importance for a wedge – instead of sole grinds or player fitting?  

Shafts

And how about shafts for wedges? What really are the correct design characteristics of a shaft for wedge play? Multiple choice . . . should it be: 1) shaft design set-matched to your irons, or 2) shaft design customized for your full swing impact vectors, or 3) shaft design optimized for the situational demands of short game play? (Hint: the correct answer for all of us is ALWAYS 3.)

And those are just a few easy to follow examples.

"Sir, can I see some ID"

We hear regularly about or “Master Club Designers” and “Certified Fitters”... where do these guys get these credentials? Does the golf media anoint them in some secret ceremony at the Orlando Golf Show each year? Is there some exclusive school in New England they attend? Or do they create their certifications with graphics packages on their laptops?

Is “craftsmanship” then really the answer? Or is it at best only a PART of the “manufacturing execution” answer? How about the other two “legs” of the stool example – design and fitting? Should we not resolve the many very basic unanswered golf club DESIGN problems FIRST, before proceeding to ANY next questions regarding the issues of manufacturing execution or fitting?

The real truth (but apparently less than obvious) is that at some point the performance goodness of a golf club design will absolutely affect your score – either positively or negatively! It will manifest itself with a putt that drops in the side of the hole instead of lipping out – or a fairway hit instead of missed in the rough – or a green hit instead of a buried lie in a bunker - or a wedge shot you cannot even contemplate playing because of the limitations of your custom sole “grind”.  

These situations take part in driving your score. The damage to your score is greatly mitigated by better golf club designs, but you generally do not know when these scoring situations develop (positively or negatively) as a result of golf club design – you just suffer the consequences, add one to your score, and play on.

Clearly, golf club design objectives should differ enormously for the different product categories. Yet, the industry cannot even agree on basic performance measurement criteria, much less design objectives!  

Where's the Data

How does one measure the performance of a wedge or putter anyway? Is it the extent of its decoration? Better FEEL? What is FEEL anyway? How does FEEL translate into lower scores? How do you measure it? Is it about excessive spin (until we suck the ball back off the green) or lowered ball flight (until we finally are hitting it knee-high bullets)? Both excessive spin and lower ball flight actually complicate distance control and predictability enormously! Ever “lag pennies” with high spin and lower flight as a kid? How many pennies did you get home with?  

Balls thrown by hand to a target instinctively have a high trajectory and NO spin – does that suggest anything?

And how do we measure performance for putters? By how quickly they roll the ball? By how much decoration they have? By how much of their construction is CNC-milled?  

It is instead quantitative measurements of “proximity to the hole with first attempts from a variety of shot-making situations” that will tell us all we really need to know about performance for BOTH short game clubs – wedges and putters.

So, I’m calling BS on the design credibility of the great majority of these niche and “garage tinkerer” guys! You should too, as the consumer who is overpaying for this under-designed techno-babble.  
Maybe You Should Think About It Too . . .



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New PING Vault Series Putters on TOUR

Post image for New PING Vault Series Putters on TOUR

PING is rolling out four new putters to the professional tours this week. The putters (2 blades, 2 mallets) are part of the upcoming Vault series.. The shapes are clearly familiar, but the face milling pattern appears new.

Full details expected later this summer.

PING Vault Anser 2

PING_Vault_Anser2_Face

PING Vault Voss

PING_Vault_Voss_Cavity

PING Vault Bergen

PING_Vault_Bergen_Face

PING Vault Oslo

PING_Vault_Oslo_Cavity

New Grip

A new PING Pistol grip is also being shown.

PING_Pistol_Grip

More info as it becomes available.

 



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Friday, June 3, 2016

5 Essential Questions Every Writer Should Ask Themselves

by Joe Bunting

I often hear the same questions from writers, questions like, “How do I make a living as a writer?” or, “How do I write a bestselling book?”

These are the wrong questions, and that’s a huge problem because I believe the questions you ask yourself can change your mindset and how you approach your writing.

What are the right questions? In this article, I’m going to share the five essential questions every writer should ask themselves.

 5 Essential Questions for Every Writer

Essential Questions for Writers

I first had the idea become a writer when I was 17 years old. I was in my room, reading a novel by Charles Dickens, probably A Tale of Two Cities, and for some reason the characters and the story touch me so deeply that for a moment I felt connected.

You see like many kids, I was bullied in school, and for me it had the effect of silencing me. I didn’t trust people and I had very few friends. But for some reason, reading that book at that moment, it was as if Charles Dickens had reached through 120 years of history and spoken directly to me.

In that moment, that question people always ask when you’re growing up popped into my head, “What do you want to be when you grow up?

Somewhat naively, I thought, “Maybe I should do this? Maybe I should be a writer. Because wouldn’t it be amazing to inspire this feeling in others? To reach through words and pages and connect with someone so they know they’re not alone, that there is one person, at least, who feels like as they do, who sees the world in the same way.”

In other words, I wanted to become a writer so I could connect.

The First Essential Question: Why Do You Write?

George Orwell, in an essay about why we write, said this:

[We write out of] sheer egoism. Desire to seem clever, to be talked about, to be remembered after death, to get your own back on the grown-ups who snubbed you in childhood, etc., etc. It is humbug to pretend this is not a motive, and a strong one…. Serious writers, I should say, are on the whole more vain and self-centered than journalists, though less interested in money.

In other words, Orwell says we write to be admired.

But honestly, I think George Orwell was wrong. Fame, admiration, self-centered vanity isn’t really what we’re looking for.

We write to connect

The truth is being known, being loved, is so much better than being admired.

Amanda Palmer said it like this:

For most of human history, artists have been part of the community. Connectors and openers, not untouchable stars. Celebrity is about a lot of people loving you from a distance. But the internet—and the content we’re freely able to share on it—is about taking it back. It’s about a few people loving you up close, and about those people being enough.

Ask yourself, “Why do you write?” Why do you really write? Is it about fame? Vanity? Celebrity? Or is it deeper than that?

Do you write to connect?

The Second Essential Question: How Do You Change People?

I think it’s great to make money at writing. I think it’s important to get paid for your work.

However, the question, “How do I make a living writing?” is the wrong question.

Instead, how do you CHANGE people with your writing?

Because if you can offer transformation people will pay whatever you ask.

The Third Essential Question: What can you write that no one else can?

Because if you can write something unique, something different from anything else in the market, something that people also likeyour fans will buy everything and anything you ask.

The Fourth Essential Question: How do you connect your emotions to your story?

No tears in the writer, no tears in the reader,” said Robert Frost.

How do you get so deep into your characters (or else choose characters similar to you and your story) so that you can summon the emotional depth necessary to tell an entertaining and transformative story?

The Fifth Essential Question: How can you LIVE a story as interesting as the ones on the page?

Because of you look at the writers we most admire they took risks with their lives.

Ernest Hemingway, Mary Shelley, John Steinbeck, Virginia Woolf—they all lived lives as interesting as the ones they wrote about. Part of their marketing (their platform you might say) was based on how they lived, not just how they wrote.

Your biggest asset as a writer are your experiences. How are you going to create experiences that help you be a better writer?

What are some other questions you’re bringing to your writing?

Here are some questions I’ve heard from other writers:

  • Why do I struggle at the end?
  • What if no one connects with my art?
  • What if I try to write one story and it becomes something else?
  • What do I do with my fear?
  • What if I’ve outgrown my story?
  • Does rewriting always make your story better?

How about you? What questions are you bring to your writing? Let me know in the comments.

PRACTICE

Pick one person you would like your writing to connect with.

Then, write something just for him or her.

Write for fifteen minutes. When you’re finished, share your practice in the comments section. And if you share, please be sure to give feedback on a few practices by your fellow writers.

Happy writing!

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TESTERS WANTED: Hogan Ft. Worth 15 hi Irons

Post image for TESTERS WANTED: Hogan Ft. Worth 15 hi Irons

So let’s say you’re one of those golfers who can’t hit long irons like Jason Day, but who also tends to hook any hybrid made slightly to the left of Bernie Sanders.

Kinda limits your options, doesn’t it?

TESTERS WANTED!

The Ben Hogan Golf Equipment Company thinks it has something that could help the hybrid-hating long iron-phobics out there – the Ft. Worth 15 hi.

Ben Hogan Ft Worth Hi -22

Hogan says the Ft. Worth hi is a hollow-bodied long iron that has the look of a forged player’s iron but with enough perimeter weighting to provide just the right amount of forgiveness.

Does the Ft. Worth hi sound like something that could help your game? We need three of you to test them out and let us know.

Ben Hogan Ft Worth HI - 23

HOW TO APPLY:

MyGolfSpy is looking for 3 golfers to test and review the new Hogan Ft. Worth 15 hi irons. Each tester will test (and keep) a set of 3 hi’s, ranging from 20 to 31 degrees.

Ben Hogan Ft Worth Hi - 24

We take our testing very seriously, so please read these application instructions carefully:

Step 1: If you haven’t already, you MUST join the MyGolfSpy Community Forum (click here to join)

Step 2: Apply by clicking on this link: Official Ben Hogan Ft. Worth HI Iron Application Thread in the MyGolfSpy Forum.

It’s that easy!

*Note: you MUST apply in the Official Application thread in the MyGolfSpy Forum.



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StorytellingClub@SAS

Save the Date! Our next meeting will be Wednesday, Septemeber 7. A story is only compelling if its' characters express different emotions, otherwise it remains as a narration of events to which your audience is not drawn into. In other words, without emotions your story is boring! Click title for more details.

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